“Dicsőségbe öltözött” – A görög katolikus identifikáció tükröződése a máriapócsi (nemzeti) kegyhely irodalmi ábrázolásaiban
  • Metaadatok
Tartalom: http://real.mtak.hu/23724/
Archvum: MTA Knyvtr
Gyjtemny: Status = Published



Type = Book Section
Cm:
“Dicsőségbe öltözött” – A görög katolikus identifikáció tükröződése a máriapócsi (nemzeti) kegyhely irodalmi ábrázolásaiban
Ltrehoz:
Földvári, Sándor
Kzremkd:
Páli-Nagy, Veronika
Pafkó, Tamás
Nagy, Márton Károly
Kiad:
ELTE BTK Régi Magyar Irodalom Tanszék
Dtum:
2012
Tma:
BX Christian Denominations / keresztény felekezetek
CB History of civilization / művelődéstörténet
PN Literature (General) / irodalom általában
Tartalmi lers:
The baroque cults of the Holy Virgin raised and spread in
connection to the tearing images of her in the late 17th and
early 18 cc. One of the most specific sacred images was the icon
of the Mother of God (Hodegetreia) in Mariapoch, the small
village in East Hungary with inhabitants of Greek Cahtolic
Church (i.e. Uniates, Catholics followed the Byzantine Rite).
The tears were connected to the decline (or at least the sad
position) of the Hungarian people. The Habsburg Emperor Leopold
I made it carried to Vienna where it inspired a cult of another
type. It become a symbol and tool of private spirituality while
the cult in East (later the entire) Hungary was a way to express
the collective memory and patriotism. Numerous other images of
the Holy Virgin were centres of cults connected to patriotism,
although on not so pregnant ways. The tears of Virgin Mary as
defenders of the patria from the barbarians appeared in the
Christian tradition in Byzantium, after the siege of the Avars
in 696 and became a literary topos as e.g. in hymn by the George
of Pisidia. The question is, have the late baroque western cult
of tearing Virgin origins in the Byzantine tradition, or it was
an absolutely independent and new phenomenon in West Europe. The
possible answer may be done by studying the narratives, too,
connected to the cults in the Byzantine Catholic inhabitants in
Hungary.
A brief description of the painting and its history is given in
the paper, focusing on the cultural contacts but not on the piet
approach to the subject.
Nyelv:
angol
Tpus:
Book Section
NonPeerReviewed
info:eu-repo/semantics/bookPart
Formtum:
text
Azonost:
Földvári, Sándor (2012) “Dicsőségbe öltözött” – A görög katolikus identifikáció tükröződése a máriapócsi (nemzeti) kegyhely irodalmi ábrázolásaiban. In: Lét- és önértelmezés a Biblia tükrében. Arianna könyvek (5). ELTE BTK Régi Magyar Irodalom Tanszék, Budapest, pp. 31-42. ISBN 978-963-284-292-9
Kapcsolat:
MTMT:2324663