| Tartalom: |
http://real.mtak.hu/65781/ |
| Archvum: |
MTA Knyvtr |
| Gyjtemny: |
Status = Published
Type = Article
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| Cm: |
„nicht tonal und nicht atonal“ Zur Bedeutung der Quinten in Ligetis Etüde Nr. 8 „Fém“
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| Ltrehoz: |
Polth, Michael
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| Kiad: |
Akadémiai Kiadó
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| Dtum: |
2016
info:eu-repo/date/embargoEnd/2036-06-30
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| Tma: |
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
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| Tartalmi lers: |
Ligeti’s claim that his etudes are neither tonal nor atonal can be demonstrated with the functions of the fifths in the etude No. 8 “Fém.” The fifths are integrated into the musical relationships partly in a traditional and partly in a modern manner. Customarily, the interval of a fifth is added to single tones in order to establish tonal spaces and implying fundamentals. A peculiarly modern aspect is the use of fifths as parts of the overtone series.
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| Nyelv: |
magyar
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| Tpus: |
Article
PeerReviewed
info:eu-repo/semantics/article
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| Formtum: |
text
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| Azonost: |
Polth, Michael (2016) „nicht tonal und nicht atonal“ Zur Bedeutung der Quinten in Ligetis Etüde Nr. 8 „Fém“. Studia Musicologica, 57 (1-2). pp. 121-138. ISSN 1788-6244
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| Kapcsolat: |
https://doi.org/10.1556/6.2016.57.1-2.9
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| Ltrehoz: |
info:eu-repo/semantics/embargoedAccess
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