Verwendung, Verleugnung, Wiederentdeckung – Ligeti und ethnische Musiken
  • Metaadatok
Tartalom: http://real.mtak.hu/65775/
Archívum: MTA Könyvtár
Gyűjtemény: Status = Published


Type = Article
Cím:
Verwendung, Verleugnung, Wiederentdeckung – Ligeti und ethnische Musiken
Létrehozó:
Kerékfy, Márton
Kiadó:
Akadémiai Kiadó
Dátum:
2016
info:eu-repo/date/embargoEnd/2036-06-30
Téma:
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
Tartalmi leírás:
Regarding György Ligeti’s relation to ethnic music, his oeuvre can be divided into three periods. Until 1956 he used East European folk music in the manner of Hungarian composition of the 1940s and 1950s, but upon leaving Hungary he apparently rejected folkloristic inspiration. In his late period from 1978 on, however, ethnic musics became again central to his creative work, albeit in a basically different way than in his youth. This article provides an overview of Ligeti’s early folkloristic pieces and a brief characterization of his use of elements of Eastern European folklore in Le Grand Macabre, Hungarian Rock, Passacaglia ungherese and the Horn Trio. Finally, it traces back Ligeti’s “lamento melody,” that appears for the first time in the last movement of the Horn Trio, to certain types of the Hungarian folk lament. Ligeti’s references to folklore do not mean an idealization of his past, but are rather signs of an ambivalent attitude toward his own roots, in which nostalgic longing, ironic distancing, and desperate mourning are equally present.
Nyelv:
magyar
Típus:
Article
PeerReviewed
info:eu-repo/semantics/article
Formátum:
text
Azonosító:
Kerékfy, Márton (2016) Verwendung, Verleugnung, Wiederentdeckung – Ligeti und ethnische Musiken. Studia Musicologica, 57 (1-2). pp. 35-47. ISSN 1788-6244
Kapcsolat:
https://doi.org/10.1556/6.2016.57.1-2.3
Létrehozó:
info:eu-repo/semantics/embargoedAccess