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Kapcsolat
BartĂłk performance practice through correspondence |
Tartalom: | http://real.mtak.hu/65631/ |
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Archívum: | MTA Könyvtár |
Gyűjtemény: |
Status = Published
Type = Article |
Cím: |
BartĂłk performance practice through correspondence
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Létrehozó: |
Gillies, Malcolm
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Kiadó: |
Akadémiai Kiadó
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Dátum: |
2012
info:eu-repo/date/embargoEnd/2032-09-30
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Téma: |
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
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Tartalmi leírás: |
Questions of source, style and interpretation have been central to the work of the Budapest Bartók Archives over its first half-century. The author looks at various issues of work genesis, structure, and interpretation, in works by Mahler and Riley, before considering the “definitive” state of Bartók’s Viola Concerto and the Sonata for Solo Violin, and the current availability of different editions of Bartók’s late works. He then outlines ways in which correspondence, both to and from Bartók, illuminates the rich and varied path from sketch to score to work première, and on to the earliest stages of performing interpretation. The paper concludes with seven examples where performance practice is enlightened by observations in Bartók’s correspondence: innovative work combination, comparative work quality or difficulty, compositional archetypes and models, processes of work revision, song-text translations, section or movement timings, and issues of correction versus revision.
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Nyelv: |
magyar
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Típus: |
Article
PeerReviewed
info:eu-repo/semantics/article
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Formátum: |
text
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Azonosító: |
Gillies, Malcolm (2012) BartĂłk performance practice through correspondence. Studia Musicologica, 53 (1-3). pp. 103-112. ISSN 1788-6244
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Kapcsolat: |
https://doi.org/10.1556/SMus.53.2012.1-3.8
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Létrehozó: |
info:eu-repo/semantics/embargoedAccess
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