Bartók’s Slovak folksong arrangements and their relationship to Stravinsky’s Les noces
  • Metaadatok
Tartalom: http://real.mtak.hu/65622/
Archvum: MTA Knyvtr
Gyjtemny: Status = Published


Type = Article
Cm:
Bartók’s Slovak folksong arrangements and their relationship to Stravinsky’s Les noces
Ltrehoz:
Ito, Nobuhiro
Kiad:
Akadémiai Kiadó
Dtum:
2012
info:eu-repo/date/embargoEnd/2032-09-30
Tma:
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
Tartalmi lers:
Bartók left behind over 300 folksong arrangements. In the field of vocal music, three series are based on Slovak folksongs: Five Slovak Folksongs for male choir (1917, BB 77), Four Slovak Folksongs for mixed choir and piano (1917, BB 78) and Village Scenes (1924, 1926, BB 87). The series are strongly connected among themselves in terms of textual content, formal concept, and treatment of folk melodies. In Village Scenes, Stravinsky’s influence is unmistakable. Not only was Bartók “influenced” by Stravinsky but he also imitated and even “quoted” Les Noces (1923). The article examines the relationship between the two works using Bartók’s 1928 essay Hungarian Folk Music and New Hungarian Music as a point of reference.
Nyelv:
magyar
Tpus:
Article
PeerReviewed
info:eu-repo/semantics/article
Formtum:
text
Azonost:
Ito, Nobuhiro (2012) Bartók’s Slovak folksong arrangements and their relationship to Stravinsky’s Les noces. Studia Musicologica, 53 (1-3). pp. 311-322. ISSN 1788-6244
Kapcsolat:
https://doi.org/10.1556/SMus.53.2012.1-3.21
Ltrehoz:
info:eu-repo/semantics/embargoedAccess