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Kapcsolat
The significance of the varieties of parlando-rubato in the rhythmic language of Bluebeardâs Castle |
Tartalom: | http://real.mtak.hu/65405/ |
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Archívum: | MTA Könyvtár |
Gyűjtemény: |
Status = Published
Type = Article |
Cím: |
The significance of the varieties of parlando-rubato in the rhythmic language of
Bluebeardâs Castle
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Létrehozó: |
PintĂŠr, Csilla
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Kiadó: |
AkadĂŠmiai KiadĂł
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Dátum: |
2008
info:eu-repo/date/embargoEnd/2028-09-30
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Téma: |
M1 Music / zene
M10 Theory and philosophy of music / zeneelmĂŠlet, muzikolĂłgia
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Tartalmi leírás: |
âParlando-rubatoâ rhythm in BartĂłkâs thinking, does not mean complete rhythmic freedom; it is not necessarily accompanied by rubato tempi or rubato modes of interpretation. Musical declamation approximating to the rhythm of speech can be regulated by strict metrical structures, even if these do not follow a regular beat. BartĂłkâs writings dealing with the parlando phenomenon support the complexity and variability of âparlando-rubatoâ as folk rhythms and performing practices. It was precisely the manifold nature of the parlando-rubato rhythm that enabled it to become the most important rhythmic foundation for musical declamation in
Bluebeardâs Castle . The different level of rhythmic freedom of the characters not only reveal the contrast between their characteristic parlando types but also communicate their own personal rhythmic profile. The main aim of this study is to highlight those aspects of this musical phenomenon which greatly contributed to the 20th-century renewal and emancipation of rhythm while not eliminating rhythmic patterns based on bars. |
Nyelv: |
magyar
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Típus: |
Article
PeerReviewed
info:eu-repo/semantics/article
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Formátum: |
text
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Azonosító: |
PintĂŠr, Csilla (2008) The significance of the varieties of parlando-rubato in the rhythmic language of Bluebeardâs Castle. Studia Musicologica, 49 (3-4). pp. 369-382. ISSN 1788-6244
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Kapcsolat: |
https://doi.org/10.1556/SMus.49.2008.3-4.8
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Létrehozó: |
info:eu-repo/semantics/embargoedAccess
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