| Tartalom: |
http://real.mtak.hu/65374/ |
| Archvum: |
MTA Knyvtr |
| Gyjtemny: |
Status = Published
Type = Article
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| Cm: |
Béla Bartók et Maurice Ravel: Question d'une influence Bartók a-t-il été inspiré par Daphnis et Chloé de Ravel dans son ballet le Prince de bois?
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| Ltrehoz: |
De Surmont, Noël
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| Kiad: |
Akadémiai Kiadó, co-published with Springer Science+Business Media B.V., Formerly Kluwer Academic Publishers B.V.
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| Dtum: |
2007
info:eu-repo/date/embargoEnd/2027-03-31
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| Tma: |
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
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| Tartalmi lers: |
Abstract
Maurice Ravel uses a lot of musical elements in his ballet Daphnis et Chloé that appear in Bartók's Ballet The Wooden Prince. So are the instrumentation and especially the orchestration (particularly at the beginning of these two works: the wake-up of the nature that is almost the same, and the “grotesque” moments). The themes of the different episodes that build the ballet seem to be the same in their conception, and we can add that the main themes (love in Daphnis and the prince in The Wooden Prince) are twin. Their roots are the same, so the idea that Ravel influenced Bartók looks likely. Even if there is no real proof, like e.g. a letter by Bartók about Daphnis et Chloé. A comparison of the two works seems to suggest that Ravel's work really had an influence on Bartók's Wooden Prince.
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| Nyelv: |
magyar
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| Tpus: |
Article
PeerReviewed
info:eu-repo/semantics/article
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| Formtum: |
text
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| Azonost: |
De Surmont, Noël (2007) Béla Bartók et Maurice Ravel: Question d'une influence Bartók a-t-il été inspiré par Daphnis et Chloé de Ravel dans son ballet le Prince de bois? Studia Musicologica, 48 (1-2). pp. 133-145. ISSN 1788-6244
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| Kapcsolat: |
https://doi.org/10.1556/SMus.48.2007.1-2.8
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| Ltrehoz: |
info:eu-repo/semantics/embargoedAccess
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