Topoi in der Musik Béla Bartóks
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Tartalom: http://real.mtak.hu/52494/
Archívum: MTA Könyvtár
Gyûjtemény: Status = Published


Type = Article
Cím:
Topoi in der Musik Béla Bartóks
Létrehozó:
Hunkemöller, Jürgen
Kiadó:
Akadémiai Kiadó
Dátum:
2013
info:eu-repo/date/embargoEnd/2033-09-30
Téma:
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
Tartalmi leírás:
The recognition of topoi, i.e. traditional formulae, is an important means of musical analysis. To illustrate this, the paper discusses the types of the battaglia and the pastoral in Bach’s Cantata Halt im Gedächtnis Jesum Christ, and briefly enumerates different types of allusions to jazz in 20<sup>th</sup>-century compositions by Stravinsky, Milhaud, Blacher, Tippet, and Zimmermann. Then it raises the possibility of an analysis of topoi in Bartók’s music in four main categories. It considers Bartók’s musical quotations from Bach to Shostakovich; the chorale as special topos appearing in Mikrokosmos, in the Concerto for Orchestra, in the Adagio religioso of the Third Piano Concerto; the topos-like employment of the tritone; and finally the idea of a Bartókian Arcadia in the Finale of Music for Strings, and the integration of bird song in the Adagio religioso.
Nyelv:
magyar
Típus:
Article
PeerReviewed
info:eu-repo/semantics/article
Formátum:
text
Azonosító:
Hunkemöller, Jürgen (2013) Topoi in der Musik Béla Bartóks. Studia Musicologica, 54 (3). pp. 289-299. ISSN 1788-6244
Kapcsolat:
https://doi.org/10.1556/SMus.54.2013.3.3
Létrehozó:
info:eu-repo/semantics/embargoedAccess