| Tartalom: |
http://real.mtak.hu/52490/ |
| Archívum: |
MTA Könyvtár |
| Gyűjtemény: |
Status = Published
Type = Article
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| Cím: |
Collapse and dismantlement: On form and dramaturgy in Liszt’s late symphonic poem From the Cradle to the Grave
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| Létrehozó: |
Boenke, Patrick
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| Kiadó: |
Akadémiai Kiadó
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| Dátum: |
2013
info:eu-repo/date/embargoEnd/2033-12-31
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| Téma: |
M1 Music / zene
M10 Theory and philosophy of music / zeneelmélet, muzikológia
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| Tartalmi leírás: |
The symphonic poem From the Cradle to the Grave deserves a special status among Liszt’s symphonic works because he wrote it after a long break as part of his series of symphonic poems from his Weimar period. The composition was inspired by a drawing by the Hungarian painter Mihály Zichy. Many aspects of Liszt’s musical response to this drawing contrast with his older symphonic works. Liszt chooses a simple three-part structure, in which each movement is dedicated to one of the stages of life. The final movement functions as a thematic recapitulation and synthesis, which, however, is no longer staged as an emphatic breakthrough, as in earlier works, but rather as a process of dismantlement preceded by a dramatic collapse at the end of the second movement. The demonstrative break with the concept of a final apotheosis relates back not only to the source of inspiration for the work, but also to a transformation in the composer’s aesthetic viewpoint.
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| Nyelv: |
magyar
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| Típus: |
Article
PeerReviewed
info:eu-repo/semantics/article
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| Formátum: |
text
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| Azonosító: |
Boenke, Patrick (2013) Collapse and dismantlement: On form and dramaturgy in Liszt’s late symphonic poem From the Cradle to the Grave. Studia Musicologica, 54 (4). pp. 431-442. ISSN 1788-6244
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| Kapcsolat: |
https://doi.org/10.1556/SMus.54.2013.4.8
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| Létrehozó: |
info:eu-repo/semantics/embargoedAccess
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